Work

The Female Urge to be
Work

The Female Urge to be

The Female Urge to be 2025 The Female Urge to be 2025 Thrown and modelled Stoneware A series of ceramic objects embodying historical artifacts, serving as tools of both liberation and opression. Presenting women’s rights as a pendulum swinging back and forth. Never given, always fought for. These objects embody the quiet and overlooked, but also the powerful. 

Work

Not your inflatables

NOT YOUR INFLATABLES 2024 NOT YOUR INFLATABLES 2024 Porcelain, Repurposed Window Glass, Silver Do you see yourself when you look in the mirror, or do you see the reflection of societal norms, gendered expectations, and boundaries others have crossed?  NOT YOUR INFLATABLES is a series of mirrors inviting to reinterpret perceptions of oneself trough a new perspective presenting a raw and vulnerable version of yourself. As mirrors hold the power to change our perspective and reveal parts of ourselves that society, experiences, or broken boundaries have suppressed.

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Entry

ENTRY 2024 ENTRY 2024 Porcelain, Repurposed Window Glass, Silver ENTRY is a series of home objects made from ceramic and glass. The objects feature concave pockets and a convex mirror, and the design draws inspiration from the spaces in our clothing where we carry unidentified items throughout the day. It encourages us to embrace the idea of holding less while recognizing that these fragments of our daily lives deserve a designated home. When encountering these objects, they become the last things you interact with before leaving your safe space and the first upon returning, creating a ritual of self-connection.

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Botanic Altars

BOTANIC ALTARS BOTANIC ALTARS BA PROJECT 2024 Stoneware, glass, water, organic material These ceramic sculptures serve as sanctuaries, offering shelter, water, and nutrition for struggling urban insects, and reconnecting humans in the city with the natural world around them. Over a 27-year period, we have lost 74% of insect biomass, threatening pollination and waste decomposition, vital for our crops and ecosystem. Botanic Altars puts insects and their native host plants, often mistaken for weeds, on the pedestal they deserve, showcasing their essential role in the circularity of life on earth. Photos: ©Peter Vinther https://vimeo.com/981257649https://vimeo.com/981257649 Read more:Article: Det Kongelige AkademiArticle: Formkraft.dkArticle: Idoart.dk

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Blob cups

BLOB CUPS 2023 BLOB CUPS 2023 Porcelain, Glaze Casted porcelain cups with handles made entirely from glaze.

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Mormor Forevigt

MORMOR FOREVIGT MORMOR FOREVIGT Porcelain, Paper, Wool Collaboration with Folkemødet, exhibiting on their mainstage 2023. “Mormor Forevigt,” explores the concept of an endless lifecycle, focusing on the importance of life quality over quantity. It delves into how we care for our elderly in a society where life expectancy continues to rise. Portraying an endless lifecycle with inspiration from the small jellyfish, Turritopsis Dohrnii, known for its biological immortality. Photos: ©Pelle Rink Read more:Article: Folkemødet.dk

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Sofacompany

SOFACOMPANY 2023 SOFACOMPANY 2023 Stoneware Collaboration with Sofacompany to create a line of functional objects that complement and expand upon their iconic Paula sofa. These pieces are designed to harmonize with the sofa’s aesthetic, enhancing both form and function in your living space. Photos: ©Nooa Hietaniemi  Read more:Article: Havne-fronten.dk

Let Them Eat Cake A sculptural exploration
Work

Let them eat cake

LET THEM EAT CAKE LET THEM EAT CAKE Stoneware, repurposed window glass, silver A sculptural exploration of hyperfemininity and the socio-normative stigma surrounding embodied in a ceramic boudoir. Inspired by 18th-century France and Marie-Antoinette’s life at Versailles, these works represents a positive space for exploring oneself from a new perspective. The innovative use of recycled window glass, combined with techniques such as extruding and slab building, enhances the project’s economic efficiency. The gradual melting of window glass into a ceramic extruded frame, reaching no more than 650 degrees, results in the characteristic convex form of the mirrors and successes to combine glass and ceramic.

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