Stoneware, repurposed window glass, silver
A sculptural exploration of hyperfemininity and the socio-normative stigma surrounding embodied in a ceramic boudoir. Inspired by 18th-century France and Marie-Antoinette’s life at Versailles, these works represents a positive space for exploring oneself from a new perspective.
The innovative use of recycled window glass, combined with techniques such as extruding and slab building, enhances the project’s economic efficiency. The gradual melting of window glass into a ceramic extruded frame, reaching no more than 650 degrees, results in the characteristic convex form of the mirrors and successes to combine glass and ceramic.
