My artistic practice is a fusion of traditional craftsmanship, design, and experimental artistry, resulting in the creation of large, sculptural, and functional objects primarily in clay. At the heart of my work lies the exploration of the interplay between hyperfemininity and the sometimes unsettling elements of the natural world. With clay and glaze as my medium, I form soft shapes in delicate colors reflecting the closeness and security, I wish to place in the hands of individuals who have yet to discover it.

Through the use of glazes in shades of purple and pink, I enhance the feminine expression infusing sensitivity and humanity, often associated with superficialness. But beneath the pink playfulness, there’s always an underlying unease in my work. Stories of human defense mechanisms, often mirrored in natural biological phenomena, serve as a key to understanding ourselves. The nuances of my work often relies in the contrast of hyperfemininity, and natural phenomena such as decay. For me, the synthetic and the natural are not binary but can coexist. Therefore, they should be embraced rather than condemned.